2/09/2009

Coraline

Saw Coraline yesterday at the Village Pointe movie theatre, because they have digital projectors and were showing it in 3D, unlike the AMC theatre, which is closer to me, but needs to upgrade its projectors. Now, I think 3D is just a fad, a cheap gimmick, to try to lure people into the movie theatre. I don't particularly care for it, nor do I think movies need it. Sitting in a theatre with those clunky plastic frames on your head is uncomfortable, especially if you wear glasses. But, that being said, Coraline looked really pretty in 3D. Of course, it would certainly look good regardless, but they used the technology to great effect with this particular film.

For those who may be unaware, Coraline is a stop-motion animation film directed by the guy who directed The Nightmare Before Christmas, who we all should know by now is NOT Tim Burton. Henry Selick is his name, and he is a wonderfully inventive master of all things puppets. Stop-motion is a painstakingly long and arduous process in which you place your "actors" on the adorably tiny set, shoot a frame of film, move the puppet a fraction of an inch, shoot a frame of film, and so on. It can take weeks to film mere seconds. It took the amazingly talented and patient designers and animators at Portland-based LAIKA (founded by Nike CEO Phil Knight) three years to create the hour and 40 minute Coraline.

Coraline is nothing short of a breathtaking masterpiece of stop-motion animation and storytelling. The story is somewhat akin to a darker version of Alice in Wonderland, wherein our heroine, 11-year-old Coraline Jones (Dakota Fanning), discovers a tiny bricked up door in the house she and her oft-neglectful parents have just moved into. Bricked up, that is, except at night, when the door opens onto a passageway to another world, a mirror world, where everything is the same, only better, including Coraline's parents, who, instead of being wrapped up in their jobs, dote on Coraline with food and presents and everything she could ever hope for. Coraline's Other Mother (wickedly performed by Teri Hatcher) and Other Father (the always amusing John Hodgman) want nothing more than for her to stay in their world and let them love her. There is only one condition: she must allow her Other Mother to replace her eyes with big, black, shiny buttons.

Coraline, of course, is repulsed by the very thought of having big black buttons for eyes and escapes back to her own world, only to discover, with the help of a mangy, feral Cat (voiced by the deep, scratchy baritone of Keith David), that her real parents have been stolen away by her Other Mother. Frightened but determined, Coraline realizes she must return to the mirror world to save her parents.

To say that Coraline is sometimes very creepy is an understatement. But it's also extremely charming and whimsical and lots of fun. I dare you to watch Mr. Bobinsky (wonderfully voiced by Deadwood's Ian McShane)'s Mouse Circus perform or see the theatre seats filled with hundreds of tail-wagging Scottish Terriers and not laugh out loud in childlike glee while marveling at the intricacy of the animation.

Given my undying love of The Nightmare Before Christmas and all things Neil Gaiman (from whose novel Coraline was adapted), I'm sure I was predisposed to enjoying this movie, but there were enough changes from the book that the story still felt fresh and new, even after having read the book multiple times.

I cannot recommend this movie enough, for children of all ages, unless they frighten easily. I think my seven and a half year old local nephew would be scared, but maybe my four and a half year old not local nephew would love it. Regardless, it's a marvelous film, exquisitely and lovingly crafted. It's pure magic if you'll let yourself be carried away by it.

1/19/2009

Yes We Did

The night of the election, I was working on a film set. It was one of our last days at this old house in Council Bluffs, our special effects day. The tech guys were inside, working with the director and director of photography to figure out how they wanted to rig a bunch of light bulbs to explode as the lead actor runs through the house, where the camera was going to be positioned, etc. There wasn't very much for the rest of the crew to be doing, so many of us gathered outside and watched this little TV set the neighbor had brought out for us, so we could see the election results.

It was a nice night, not too cold yet, and everyone was giddy with excitement. The local crew members had voted that morning, and the out-of-towners had voted early. My father and I had gone to the local election office to cast our ballots the week before, because I was worried the line might be too long on election day and I didn't want to be late to the set.

As the results began coming in from the eastern states, we called them out over our walkies, like we were updating a sports score. As more and more states turned blue on the map, the excitement grew. The air was almost electric as this small crew of 30 huddled around the television, sensing the inevitable. Some of the crew were from Chicago, and they were constantly on their phones with friends back home, talking and texting about the enormous crowd in Grant Park. We all felt envious of those fortunate enough to be there.

I remember the clock striking 10 o'clock and the west coast voting came to a close. Looking at the numbers, Obama's victory wasn't in doubt, but we needed to see it. It wasn't official until they called those final states. And then they all fell like dominoes, Washington, Oregon and California, all blue, all for Obama.

We cheered and hugged, the movie we were making forgotten for a short time, as chants of "Obama! Obama!" echoed in the cool night air. There were tears in many of our eyes that night. Thinking back on it now, I come close to choking up, the enormity of the occasion is almost overwhelming, even more than two months later. It wasn't simply that we were finally done with George W. Bush and his criminally incompetent administration, though, of course, that was something to celebrate in its own right. We, all of us, had elected to be our president not only a man of intelligence and thoughtfulness (a sharp contrast to the bumbling fool of the previous eight years, to be sure), but a black man to boot.

Today we celebrate Martin Luther King's birthday, and I urge everyone to seek out and listen to Dr. King's "I Have a Dream" speech, really listen to it, and think about where we stand as a nation 46 years later. Racism and hatred still exist, both here at home and across the world. War and poverty still rage across the face of the globe. Dr. King's ideal is far from reality, but think, just think, that tomorrow America will have its first black president, and while we may still have a long way to go, the journey doesn't seem quite so far as it once did.

Barack Hussein Obama, the 44th president of the United States. I honestly thought I'd never see the day, but that night, November 4, 2008, America did something I long thought impossible, given my cynical nature: America surprised me.

It's going to be a hard, difficult slog through the quagmire left behind by W. and his cronies, but it doesn't feel as hopeless as it once did. America has been a tragic joke for far too long, and we let it happen. All of us are to blame for what we allowed to transpire in our country and in our country's name. Now it's time for us to fix what we broke, our reputation, our honor and dignity. I no longer feel ashamed of my country, as I have for much of the past eight years. That night, November 4, 2008, restored my faith, if only a little, in the promise of what America can and should be. We took that pivotal first step, of which I am immensely proud. But we have to keep moving forward, away from the broken, charred husk of what Bush turned us into, what we let him turn us into, toward that bright, gleaming beacon of hope we've aspired to ever since Thomas Jefferson put quill to paper more than 230 years ago.

As Obama said in his acceptance speech in Grant Park:

"If there is anyone out there who still doubts that America is a place where all things are possible, who still wonders if the dream of our founders is alive in our time, who still questions the power of our democracy, tonight is your answer.

It's the answer told by lines that stretched around schools and churches in numbers this nation has never seen, by people who waited three hours and four hours, many for the first time in their lives, because they believed that this time must be different, that their voices could be that difference.

It's the answer spoken by young and old, rich and poor, Democrat and Republican, black, white, Hispanic, Asian, Native American, gay, straight, disabled and not disabled. Americans who sent a message to the world that we have never been just a collection of individuals or a collection of red states and blue states. We are, and always will be, the United States of America.

...

It's been a long time coming, but tonight, because of what we did on this date, in this election, at this defining moment, change has come to America."


Amen, brother. Now it's time for us to get to work.

1/16/2009

Why journalism?

That's a question I keep asking myself lately, as day after day I read about newspapers across the country laying off employees or closing up shop altogether. In the last week alone the Seattle Post-Intelligencer has been put up for sale and the Minneapolis Star Tribune has filed for chapter 11 bankruptcy. Just last month, the two Detroit daily papers, the Detroit Free Press and the Detroit News, announced that, in order to cut costs, they were no longer offering home delivery of their papers during the week, only on Thursdays, Fridays and Sundays.

Even online magazines and news sites are laying people off, so it's not enough anymore to simply repeat the old axiom that "print journalism is dead," because this economic sinkhole Bush has left us in is a lot bigger than that. Companies can't pay advertising rates anymore, regardless of whether it's TV, radio, newspapers, magazines or the Internet. They're all cutting back, just trying to stay afloat through this recession. And companies that rely predominantly on advertising to pay the bills are getting killed because of it.

So again I posit the question, Why journalism?

Hell, it seemed like a good idea at the time.

Fingers crossed that I get into one of these grad schools I've applied to. I really need something to do for the next couple years.

::UPDATE 1/16/09::

This morning I read that the Boston Globe is laying off 50 newsroom employees.

1/14/2009

To go or not to go

As part of the application process for Northwestern's Medill School of Journalism I'm encouraged, though not required, to sign up for an admissions interview, either in person or over the phone. I've signed up for a phone interview at the end of the month, but I'm trying to decide whether I should make the drive out there. Lord knows I've got nothing going on here that I'll be missing, and it's been a couple years since I've been to Chicago. I could do the interview in the morning and then hang out for a weekend. I've got places to crash, so money wouldn't really be an issue, except for gas, but I could probably scrounge that up. Then again, it is Chicago in winter, which I've done before and, boy, is it miserable.

Decisions, decisions ...

1/13/2009

You still here?

Hiya. Long time, no see. Where you been? I've been right here. Quiet, sure, but I never went anywhere. And if I did go somewhere, odds are I would've returned, because that seems to be my current lot in life, to never get out of here.

When I last posted, hell, I don't even know what I wrote about. Finally graduating from college, most likely. I think I'll blame the lack of posts between then and now on having nothing worth writing about, because I haven't actually done anything since graduating in August. I mean, sure I've looked for a job, but having not actually landed one, what's the point in writing about that? "Post-graduation Day 41: Still no job." That'd get old after a while, no?

Okay, sure, there was that movie I worked on as a production assistant from October to early November, which was lots of fun and educational and tiring and I met this really great girl from Minneapolis on set, which I suppose I could've/should've written about, but, man, working 12+ hour days really take a lot out of you, and the only thing I wanted to do after getting home each day was get something to eat and go to bed. The last thing I was interested in was writing about what happened on set that day. A lot of days were pretty similar, really, aside from the different scenes being shot: Get to the set (or house or wherever we were filming that day), set up the crafty table (food, drinks, etc.), help lug equipment where it needed to go, help grip and electric set up the lighting, yell "Rolling!" or "Cut!" depending on the situation, etc.

Maybe there was a little more variety than that, but the days have sort of blended together since we wrapped. One of these days I'll probably write more about the experience. And the girl from Minneapolis. And my IMDb page. And how my shoulders are going to be in the movie. But that's fodder for another post or two.

Toward the end of production on the film I started to realize I was about to go back to being unemployed again, which didn't sit well with me. I mean, it's a pretty depressing thought, when you think about it, which is why I didn't particularly want to be thinking about it. But with the economy the way it is, and newspapers and magazines laying people off left and right, by the hundreds if not thousands, I saw my prospects as rather bleak. That's when it occurred to me, possibly when I was drinking at the wrap party, or the following week in Minneapolis: Grad school!

It took me a long time to get back to school, but once I made that commitment I finally began to enjoy the classes that had once bored the shit out of me. I've always loved learning new things and discussing new (or old) ideas, I just didn't always love being tested on them. But I apparently got over that. And so I figured, since I'm having such a hard time finding a job, and since I finally enjoyed the process of getting that Bachelor's degree, why the hell not try to get into a good journalism grad program? The experience could only help me in my job search, and by the time I finish maybe the economy will be more stable and media organizations, whether print or online, will be expanding again instead of contracting. Hey, a guy's gotta dream, right?

So in addition to the job search, I spent the better part of November and December figuring out which grad schools had the best journalism programs and writing the requisite essays and filling out the applications. There's actually one more school I want to apply to, but I'm hesitant because I don't think my reasons are, well, I've been down that road before (see aforementioned "Girl from Minnesota" and previous posts regarding my first foray into the world of higher education). So I'm undecided about applying, but we'll see. The more I apply to, the better chance of getting into one of them, right? And if I don't apply, well, then there's no chance. So, yeah.

I've also been watching lots of TV shows and movies over the past few months. And playing video games. I beat Grand Theft Auto IV, Star Wars: The Force Unleashed and Bioshock, and I've still got Metal Gear Solid 4 and Fallout 3 to get through. I've been working my way through Arrested Development, which I had forgotten how funny it was, and Mad Men, which is simply brilliant and I hope Matthew Weiner comes back to work on its upcoming third season.

And reading. Been doing lots of reading. I caught up on all the magazines that had piled up while I was working on the movie and didn't have the time to read. And I've knocked off a number of books, some good (Thirteen, The Graveyard Book) and some not so good (Twilight - don't ask, my sister lent it to me).

And now I think you're all caught up, for the most part. My apologies for the wealth of topics and the lack of specifics, but I haven't done this for a while and I'm a little rusty. I'm trying to refocus myself and to get back in the saddle, so to speak, of writing on a daily (or at least semi-daily) basis. It feels good to be back, even though I never really went anywhere. I'm sure I'll be seeing you again fairly soon.

So what've you been up to?

8/16/2008

So ... that's it?

The graduation ceremony was yesterday. Took all of an hour. Thank god for summer commencement. I'll link to the pictures my parents took as soon as my father gets them online.

I picked up my cap and gown on campus Thursday, and as I was walking back to the car I realized I never have to set foot on campus again. It was a strange combination of feelings. Relief, certainly, but also a tinge of ... not sadness, exactly, but there was definitely some melancholy in there somewhere. After all, I've spent the majority of the past three years driving back and forth from the school. I've had a purpose, a goal I was striving toward. And now ... now I'm feeling pretty aimless.

Everyone's been telling me to relax and enjoy the weekend, and I've tried my best so far. My sister is hosting a big graduation party tonight at her place, which I'm looking forward to. It'll be fun to see everyone, but nagging at the back of my mind is the knowledge that I need to find a job now, start that whole career thing I've been working toward. So it's difficult for me not to go from need-to-finish-school mode to need-to-find-a-job mode with any sort of deep breath in between. I've long said I don't know how to relax and this is just one more example.

So I've sent out a few resumes so far, and scanned listings on Monster.com and updated my LinkedIn page. I suppose I should contact BOOM! and ask if they're in the market for a fairly inexperienced asst. editor. It's been great to see the company expanding and growing over the past year, and while I had a fantastic time working there last summer, I still don't know if I want to live in Los Angeles. Which I suppose I shouldn't let get in the way of potential employment. After all, nothing is forever, right?

Seeing the looks on my parents' faces yesterday, while I was sitting with my fellow graduates, and after the ceremony when we were taking pictures, made me understand why they wanted me to participate in the commencement. The degree I worked for these last three years is for me, but yesterday was for them, my family, who have been more than generous with their time and patience and understanding. The support they've given me over the years, even before I went back to school, is worthy of a saint, and I'm proud to have rewarded their faith in me, even when, at times, I didn't have all that much faith in myself.

So. On to the next thing, whatever and wherever it may be. But first, we party. Because, hey, who knows if and when I'll do anything else worth celebrating.

8/13/2008

Tropic Thunder

A spectacular send-up of all things Hollywood, Tropic Thunder is equal parts satire, spoof and parody. Ben Stiller, who co-wrote, produced and directed the film, has truly outdone himself. Often outrageous and outlandish, from the opening montage of fake film trailers (Robert Downey Jr.'s character, five-time Oscar winner Kirk Lazarus, stars alongside Tobey Maguire as a closeted Franciscan monk in Satan's Alley) that our intrepid actors-within-the-movie made prior to embarking on the truly meta journey that is Tropic Thunder, this movie pushes all the right buttons in all the wrong ways.

Ben Stiller, as washed up action movie star Tugg Speedman, leads a cast of equally ridiculous actors (the aforementioned Downey; Jack Black as fart-comedy king Jeff Portnoy; Jay Baruchel as the young, inexperienced Kevin Sandusky; and Brandon T. Jackson as the awesomely-named rapper Alpa Chino, who is constantly hawking his energy drink, Booty Sweat) as they attempt to film the "greatest war movie ever," in the jungles of Vietnam, where the ill-equipped (both emotionally and physically) cast becomes stranded and stumbles upon a heroin cartel called the Flaming Dragon, led by a cute 12-year-old sadist named Tran (Brandon Soo Hoo - keep an eye out; this kid is fantastic).

Also along for the ride as the inept first-time director Damien Cockburn is the wonderfully silly Steve Coogan (go see Hamlet 2 when it opens) and the almost unrecognizable Tom Cruise as movie mogel Les Grossman, rumored to be a jab at Viacom executive Sumner Redstone, who kicked Cruise's production company to the curb in 2006 after Cruise's couch-jumping summer, or perhaps Harvey Weinstein. Cruise wears padding, a bald cap and huge prosthetic arms and hands, and delivers quite possibly his best performance (at least second best, after Paul Thomas Anderson's Magnolia) as the ill-tempered, foul-mouthed ("A nutless monkey could do your job," he tells his hapless assistant), Diet Coke-chugging producer.

Aside from Cruise's off-the-wall caricature, Downey Jr. really steals the movie as Kirk Lazarus, an actor so committed to his role as African-American Sergeant Lincoln Osiris that he undergoes a "controversial pigmentation procedure" to turn his skin black. As Lazarus says in the film after Speedman questions why he remains Osiris even between takes, "I don't break character until after recording the DVD commentary." Downey Jr. is absolutely hysterical in his portrayal of the Australian method actor (he does a dead on Russell Crowe impersonation) who loses himself so completely in his role as Osiris. The man is simply brilliant (and, if his recent Rolling Stone cover story is anything to go on, a little strange in "real life").

Tropic Thunder has come under fire from mentally-challenged advocacy groups (how else do I describe them?) and folks from the Special Olympics for its supposed offensive film-within-the-film, Simple Jack, in which Stiller's character, Tugg Speedman, goes "full retard," as Kirk Lazarus puts it, in a shameless attempt to win an Oscar award. While I don't think it's anyone's business to tell someone else not to be offended by something, I honestly don't understand why the mentally-challenged (seriously, what's the "politically correct" term?) community is all up in arms. If anything, Tropic Thunder skewers pompous Hollywood actors in their shallow quest for Academy gold. Downey Jr. delivers a beautifully scathing monologue about why Tom Hanks won an Oscar for Forrest Gump, but Sean Penn didn't for I Am Sam: "Everybody knows you never go full retard ... Check it out. Dustin Hoffman, Rain Man, look retarded, act retarded. Not retarded ... And then you got Tom Hanks, Forrest Gump. Slow, yes. Retarded, maybe. Braces on his legs, but he charmed the pants off ... and won a ping pong competition. That's not retarded ... Never go full retard."

Stiller and company are not making fun of the mentally challenged; they're making fun of Hollywood's interpretations of the mentally challenged, which I think makes a big difference.

But I digress.

Tropic Thunder is laugh-out-loud funny and well-worth your time and money. It's quite possibly the funniest movie of the year, and Robert Downey Jr. and Tom Cruise alone make it worth seeing.